316 Royalty-Free Audio Tracks for "C Chords"

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

Short synth chord clip. Probably good for granular synthesis.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Ableton live electric piano.

Full diatonic fifteenth chord from Listz on B

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Some sines i made in logic pro x with the es2 synthesizer. 1 chord notes: d f g a c d2 chord notes: a c d f g a.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Septimal minor triad on C (C,E7b,G or 6:7:9)

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

Loop-saw wave in chord-with grain shifter-modulation on voicing-filter delay-drum machine with software.

A combination of four layers with different sounds recorded from waldorf m. Recorded dry from the sampler. C# chord.

The Star-Spangled Banner opens with an arpeggio on a C major tonic chord. In this file that is followed by the chord as a simultaneity.

I hope this is usable. Key: c.

Bergamesca ('The Buffens'), Straloch MS., c. 1600.

A layering of 100 piano mayor c-chords appregio.

Guitar arpeggio recording with ableton live.

Mild distortion tone, changing from c to d with a big bend for the end.

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

Eight bar blues progression boogie woogie bassline on middle C.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

A member of the alpha loopset, consisting of a set of complementary synth loops. It is:. * in the key of c major, following the chord progression c-f-c-f. * four bars long at 110bpm. * normalized.

Playing around with the c and g chords on a nice clean, heavy reverb and delay setting. Moody and relaxing.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

D, F, Ab = C, Eb-, Gb-

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Dominant seventh with root doubled and missing fifth resolving to I, in C.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Electric guitar, minimal distortion based on c sharp with an almost power chord like single note performance until the break.

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Some chords played on my pilarte classical guitar using my thumb nail. E minor, a minor, d minor, g, c (add9). Recorded on my yamaha pocketrak and edited in sony vegas. There is a hiss. Sorry. Please comment on what you will use it for. Thanks. :^)-.

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.

An old air pushed toy organ. Magnus - electric chord organ from the 70's.

Shuffle pattern with staggered thirds played on piano.