316 Royalty-Free Audio Tracks for "C Chords"

Short synth chord clip. Probably good for granular synthesis.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Short synth chord clip. Probably good for granular synthesis.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Ableton live electric piano.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Septimal minor triad on C (C,E7b,G or 6:7:9)

Full diatonic fifteenth chord from Listz on B

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Some sines i made in logic pro x with the es2 synthesizer. 1 chord notes: d f g a c d2 chord notes: a c d f g a.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

Loop-saw wave in chord-with grain shifter-modulation on voicing-filter delay-drum machine with software.

The Star-Spangled Banner opens with an arpeggio on a C major tonic chord. In this file that is followed by the chord as a simultaneity.

A combination of four layers with different sounds recorded from waldorf m. Recorded dry from the sampler. C# chord.

I hope this is usable. Key: c.

Bergamesca ('The Buffens'), Straloch MS., c. 1600.

A layering of 100 piano mayor c-chords appregio.

Guitar arpeggio recording with ableton live.

Mild distortion tone, changing from c to d with a big bend for the end.

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Eight bar blues progression boogie woogie bassline on middle C.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

A member of the alpha loopset, consisting of a set of complementary synth loops. It is:. * in the key of c major, following the chord progression c-f-c-f. * four bars long at 110bpm. * normalized.

Playing around with the c and g chords on a nice clean, heavy reverb and delay setting. Moody and relaxing.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

D, F, Ab = C, Eb-, Gb-

Dominant seventh with root doubled and missing fifth resolving to I, in C.

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Electric guitar, minimal distortion based on c sharp with an almost power chord like single note performance until the break.

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Some chords played on my pilarte classical guitar using my thumb nail. E minor, a minor, d minor, g, c (add9). Recorded on my yamaha pocketrak and edited in sony vegas. There is a hiss. Sorry. Please comment on what you will use it for. Thanks. :^)-.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

An old air pushed toy organ. Magnus - electric chord organ from the 70's.

Shuffle pattern with staggered thirds played on piano.

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.