316 Royalty-Free Audio Tracks for "C Chords"

A layering of 100 piano mayor c-chords appregio.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Mild distortion tone, changing from c to d with a big bend for the end.

This is a reel for the make noise morphagene. It was created using the chord preset from mutable instruments plaits. The chords gravitate around c. I twiddled the knobs while recording and the results were fed through valhalla shimmer before i cut a few sections up and rearranged the audio to make a reel. Have fun!.

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

Playing around with the c and g chords on a nice clean, heavy reverb and delay setting. Moody and relaxing.

Dominant seventh with root doubled and missing fifth resolving to I, in C.

G major scale note g a b c d e f g.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Cute cc0 loop of some upbeat, melodic stuff // c major 93 bpm.

Some chords played on my pilarte classical guitar using my thumb nail. E minor, a minor, d minor, g, c (add9). Recorded on my yamaha pocketrak and edited in sony vegas. There is a hiss. Sorry. Please comment on what you will use it for. Thanks. :^)-.

Shuffle pattern with staggered thirds played on piano.

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Super useful electronic chords. The omnichord is a true classic. The only catch is you have to chop them yourself. I just load them into a beat slicer and go to town :). Also sounds amazing with distortion!.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

Bad guy/"Villian" motif/riff.

Two chords and a 3 note melody processed in music maker's cinematic synth for high drama.

Two chords and a 3 note melody processed in music maker's cinematic synth with a deep bass swell for high drama.

This sound was created using the "surge" synthesizer. Bpm: 170key: c# majorcheck it out: https://presetshare. Com/preset/view?id=1553.

Two chords and a 3 note melody processed in music maker's cinematic synt. This version is a string ensemble voice, a bit lighter than the others but moody.

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

A loopable recording. Played in dminor. The chords are: dm c b a90 bpm. Played on a washburn festival series guitar. Recorded with ableton.

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

A c3 piano, bell sound for all your c3 piano, bell sound needs. Requested by user "slade38012. ".

For this jazzyloop i used. Drumbot. Compiano chordsrandom progressionminor, 4 chords, 80 bpm, oo_odm, cm, c#6, f#9had to record straight to audacity. No export function. Drumbotcountry & folksmothness made a 4 bar drum sequence and exported as wav. This site (drumbot. Com) had no "bass function". . . Quick search led me to onlinesequencer. Nethere i made a bass line to the chords in 80bpm. Here you can only export to mid. . . Once again i had to record straight to audacity. Result this loop. No processing in audacity.

Electro-acoustic guitare loop in c dorian. 115bpmit doesn't encompasses the effect of the soundboard. You should apply (convolve) a guitar soundboard impulse response to this sound to make it sound more natural.

Made with fl studio. Using c minor chords, i made this sad melody. 130 bpm. Let me know in the comment section if you want me to give you the same melodybut with reverb. Injoy.

Made this loop to improvise on c dorian. Delay added later on ableton live. Gear used:. Washburn wr 150 emg-89, s and s. Both single pick ups were selected.

This is a simple sequence with chords - emaj, d#m and c#maj where i played on my midi keyboard "novation lanchkey mini" with using arturia vintage collection vst plugin - yamaha dx7, type - electronic organ and adding delay effect and reverberation. Sound like synth-wave or retro-wave stile, moderato, quietly and gently. Lounge. You can be using it for your needs, podcasts, samples, different projects, or just like alarm sound on your phone. Enjoy. Temp - 123 bpm.

It was recorded on cubase 5 with an at2020 usb mic. There were about four vocal tracksvocal harmony starting in f#. It builds up in stages and gets better towards the end. The chords are f#7, f7, a#, c#. I think it's 80bpm. Apologies if not.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

A C chord on a drawbar organ.

Descending diminished seventh chord half-step cadence on C.

4-22A (sus2 chord) tetrachord on C: [0,2,4,7] = C,D,E,G

3-10 trichord on C. Diminished chord.

3-12 trichord on C. Augmented chord.

4-26 (minor seventh chord) tetrachord on C

4-28 (diminished seventh chord) tetrachord on C

4-22B (minor sus4 chord) tetrachord on C

4-20 (major seventh chord) tetrachord on C

4-27A (dominant seventh chord) tetrachord on C

4-24 (aug. seventh chord) tetrachord on C

Bass flageolet in c.